|
課程名稱 |
導演概論
Introduction to Directing |
|
開課學期 |
103-1 |
|
授課對象 |
文學院 戲劇學系 |
|
授課教師 |
呂柏伸 |
|
課號 |
Thea2006 |
|
課程識別碼 |
109 23000 |
|
班次 |
|
|
學分 |
2 |
|
全/半年 |
半年 |
|
必/選修 |
必帶 |
|
上課時間 |
星期一3,4(10:20~12:10) |
|
上課地點 |
總一館108 |
|
備註 |
本課程中文授課,使用英文教科書。或於106教室上課。第1次上課在108教室。
限本系所學生(含輔系、雙修生) 且 限學士班二年級以上
總人數上限：50人 |
|
|
|
|
課程簡介影片 |
|
|
核心能力關聯 |
核心能力與課程規劃關聯圖 |
|
課程大綱
|
|
為確保您我的權利,請尊重智慧財產權及不得非法影印
|
|
課程概述 |
This course traces the activities of selected significant European theatre practitioners in the twentieth century with particular reference to their influence, theoretical and practical, on acting, directing and scenography. |
|
課程目標 |
1. To provide an introduction to the academic study of theatre directing.
2. To encourage a critical knowledge of contemporary directing approaches.
3. To encourage a critical understanding of theatre directors and their practices produced by the social and cultural contexts. |
|
課程要求 |
1、積極參與課程討論；2、需要花費課堂額外的時間進行分組排練；3、需具備閱讀英文教材的能力 |
|
預期每週課後學習時數 |
|
|
Office Hours |
備註： Monday 1230~1430
Thursday 1230~1430 |
|
指定閱讀 |
Innes, Christopher and Shevtsova, Maria (2013) The Cambridge Introduction to Theatre Directing, Cambridge University Press |
|
參考書目 |
Bentley, Eric (ed.) (1968) The Theory of the Modern Stage, London: Penguin Books
Bradby, David and Williams David (1988) Directors' Theatre, London: MacMillan
Irvin, Polly (2003) Directing for the Stage, Switzerland: A RotoVision Book
Leach, Robert (2004) Makers of Modern Theatre: An Introduction, London and New York:Routledge
Martin Jacqueline (1991) Voice in Modern Theatre, London and New York: Routledge
Shevtsova, Maria and Innes, Christopher (2009), Directors/Directing: Conversation on Theatre, Cambridge Uni. Press
|
|
評量方式
(僅供參考) |
|
No. |
項目 |
百分比 |
說明 |
|
1. |
看戲分析評論 |
40% |
兩篇 |
2. |
分組創作呈現 |
30% |
|
3. |
期末筆試 |
30% |
|
|
|
週次 |
日期 |
單元主題 |
|
第1週 |
9/15 |
Introduction to the course
ten questions about theatre directing |
|
第2週 |
9/22 |
Traditional staging and the evolution of the director |
|
第3週 |
9/29 |
the directing exercise (i): space |
|
第4週 |
10/06 |
the rise of the modern director (i):The Meiningen influence/Andre Antoine/Richard Wagner |
|
第5週 |
10/13 |
the rise of the modern director(ii):Appia/Gordon Craig |
|
第6週 |
10/20 |
directing exercise (ii): movement/body shape |
|
第7週 |
10/27 |
the rise of the modern director (iii):stanislavsky |
|
第8週 |
11/03 |
directors of theatricality (i): meyerhold *第一篇看戲分析報告 |
|
第9週 |
11/10 |
directing exercise (iii): tempo/rhythm |
|
第10週 |
11/17 |
directors of theatricality (ii): ariane mouchkine |
|
第11週 |
11/24 |
epic theatre directors: brecht |
|
第12週 |
12/01 |
directing exercise (iv): sound/music |
|
第13週 |
12/08 |
劇場週 |
|
第14週 |
12/15 |
director as auteur (i):peter brook |
|
第15週 |
12/22 |
the director as auteur (ii):robert wilson/robert lepage
*第二篇看戲分析報告 |
|
第16週 |
12/29 |
Directors, collaboration and improvisation (i):jerzy grotowki /eugenio barba |
|
第17週 |
1/05 |
the directing exercise: group presentation 分組呈現 |
|
第18週 |
期末考 |
2小時筆試
|
|